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Free Books for a Society Who Reads Project

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Q: Could you elaborate on your efforts to encourage a reading society?

Nevzat Bayhan: Fostering a “society who reads” is integral to civilization, yet certain obstacles hinder this ideal in our country. Despite having suitable conditions, excuses prevail. The stark reality is that our country has one coffee house per 95 persons and one library per 64,600 persons, placing us at the bottom of reading rankings A Conversation with Nevzat Bayhan. We’ve identified three main excuses: financial constraints, lack of time, and the overwhelming choice among thousands of books.

To address these challenges, our project, “Free Books for a Society Who Reads,” in collaboration with the Istanbul Metropolitan Municipality, aims to provide accessible reading materials. We plan to publish pocket-sized books, comprising 100-120 pages made from newspaper-grade paper with visually appealing designs. These books

Journey Through Culture at Miniaturk

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Setting Goals for Miniaturk A Conversation with Nevzat Bayhan

Q: Can you share the objectives behind the Miniaturk project?

Nevzat Bayhan: Miniaturk, initiated in 2003, aimed to attract 1 million visitors annually. Currently featuring 105 mockups with a capacity for 300, our initial goal is to expand to 120 pieces in the upcoming years. Simultaneously, we aspire to introduce dynamic mockups. Miniaturk is evolving into a cultural space where children can enjoy puppet shows and experience panoramic views with a single ticket Free Books for a Society Who Reads Project.

Q: What are the new projects at Miniaturk in 2006?

N. Bayhan: Sponsored by the Istanbul Water and Sewage Corporation, our latest project delves into Istanbul’s historical water shortages Istanbul Daily Tour. Mimar Sinan’s ingen

A Conversation with Nevzat Bayhan

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Q: Could you discuss Kultur Company’s endeavors?

Nevzat Bayhan: Kultur Company engages in both cultural activities and tourism-related initiatives. Notably, Miniaturk and Yerebatan Cistern are two prominent projects. We explore museums abroad, conceive projects, and actively promote Turkey and Istanbul at international fairs. Additionally, our publishing efforts, including the Istanbul Kitapgisi (Library) in Beyoglu, serve tourism and aim to expand with affiliated branches for wider accessibility. Our Mecidiyekoy Culture Center offers education to individuals who couldn’t pursue formal training in theater, cinema, or television, culminating in a two-year certificate program. We also host children’s chorus and cartoon courses at the center Journey Through Culture at Miniaturk.

Q: Can you share details about the “Culture Valley” project?

N. Bayhan: Istanbul is not just the cultural

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The Prodigal Son 1

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